Jan Dagley – Artist

‘Hour of Dusk and Gold Ceramics’

This collection is based on a fragrance that takes us to the warmth of a Moroccan evening, the fusion of spices coming from the medina, and the setting sun over the ocean.
‘Tribute to Edith Ceramics’

This work is inspired by a fluid, complex and feminine fragrance, both velvety and enveloping, and rich with a boozy warmth
‘Run of the River Ceramics’

The fragrance that has inspired this work is both refreshing and vibrant, reminiscent of the lemons of Positano and the river that runs through Keyneston Mill.
‘Root of all Goodness Ceramics’

This work is inspired by a fragrance which is both warm and enveloping, aromatic at its heart with a kick of invigorating spice.
‘Hour of Dusk and Gold Paintings and Ceramics’

This collection is based on a fragrance that takes us to the warmth of a Moroccan evening, the fusion of spices coming from the medina, and the setting sun over the ocean.
‘Tribute to Edith Paintings and Ceramics’

This work is inspired by a fluid, complex and feminine fragrance, both velvety and enveloping, and rich with a boozy warmth
‘Run of the River Paintings and Ceramics’

The fragrance that has inspired this work is both refreshing and vibrant, reminiscent of the lemons of Positano and the river that runs through Keyneston Mill.
‘Root of all Goodness Paintings and Ceramics’

This work is inspired by a fragrance which is both warm and enveloping, aromatic at its heart with a kick of invigorating spice.
‘Monochrome collection’

This work is all about texture, mark-making and movement epitomised in the semi-abstract dancing figures. The vessels show the dynamic interrelation of line as they swirl around the vessels. They also explore how narrow the bases can be whilst maintaining stability.

‘Hour of Dusk and Gold Ceramics’

This collection is based on a fragrance that takes us to the warmth of a Moroccan evening, the fusion of spices coming from the medina, and the setting sun over the ocean.

‘Tribute to Edith Ceramics’

This work is inspired by a fluid, complex and feminine fragrance, both velvety and enveloping, and rich with a boozy warmth

‘Run of the River Ceramics’

The fragrance that has inspired this work is both refreshing and vibrant, reminiscent of the lemons of Positano and the river that runs through Keyneston Mill.

‘Root of all Goodness Ceramics’

This work is inspired by a fragrance which is both warm and enveloping, aromatic at its heart with a kick of invigorating spice.

‘Hour of Dusk and Gold Paintings and Ceramics’

This collection is based on a fragrance that takes us to the warmth of a Moroccan evening, the fusion of spices coming from the medina, and the setting sun over the ocean.

‘Tribute to Edith Paintings and Ceramics’

This work is inspired by a fluid, complex and feminine fragrance, both velvety and enveloping, and rich with a boozy warmth

‘Run of the River Paintings and Ceramics’

The fragrance that has inspired this work is both refreshing and vibrant, reminiscent of the lemons of Positano and the river that runs through Keyneston Mill.

‘Root of all Goodness Paintings and Ceramics’

This work is inspired by a fragrance which is both warm and enveloping, aromatic at its heart with a kick of invigorating spice.

‘Monochrome collection’

This work is all about texture, mark-making and movement epitomised in the semi-abstract dancing figures. The vessels show the dynamic interrelation of line as they swirl around the vessels. They also explore how narrow the bases can be whilst maintaining stability.